Artistic and Rhetorical Patterns in Quechua Legendary Texts

List of Figures
Preface
Acknowledgements
Abbreviations

Introduction

1.1 A general perspective on the study
1.2 About the data
1.3 Procedures
1.4 Significance of the research
1.5 The organization of this work



Assumptions about Texts

2.1 Preliminaries
2.3 Culture and orality
2.4 Linearity, structures and recall
2.5 “Text”versus“oral literature”
2.6 Poeticversus formula
2.7 Linguistics and text analysis



Theory and Methodology

3.1 Preliminaries
3.2 Hymes’s approach
3.3 Literary/folkloric studies
3.4 Longacre’sapproach to text analysis
3.5 Other approaches in line with Longacre’s salience scheme



Quechua Language and Culture

4.1 Facts about the Quechua languages
4.2 Some aspects of Quechua culture
4.3 Verbal art forms



Textual Patterns (I)—Ayacucho Coracora Quechua

5.1 The textual data
5.2 The basic organization of the Juan del Oso text
5.3 The presentational form of the story



Textual Patterns (II)—Ayacucho Coracora Quechua

6.1 Preliminaries
6.2 Analysisof smaller texts
6.2.1 The presentational forms of Ampatopa Cuenton
6.2.2 The presentational forms of the Mankapa Cuenton
6.2.3 The presentational forms of Watuchi I
6.2.4 The presentational forms of Watuchi II
6.2.5 Typical features in the texts
6.3 Other patterns seen in Juan del Oso
6.4 Patterns pertaining in general to the texts



Quechua Textual Patterns—Shausha

7.1 Preliminaries
7.2 Languagespecifics
7.3 Patterns found in the Shausha texts
7.3.1 The presentational forms of ‘The Fox and the Frog’
7.3.2 Patterns of other texts
7.3.3 Shausha texts and Coracora texts compared



Quechua Text Patterns and Their Implications

8.1 Preliminaries
8.2 Structural patterns
8.3 Artistic patterns once more
8.4 Final remarks

Appendices

Appendix 1 Okumaripa Watuchin
Appendix 2 Okumaripa Watuchin–Chart
Appendix 3 Mankapa Cuenton
Appendix 4 Watuchi I
Appendix 5 Watuchi II
Appendix 6 El Zorroyla Vizcacha I
Appendix 7 El Zorroyla Vizcacha II
Appendix 8 Hwan Usu

Bibliography